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Night Lights
Gerry Mulligan
New Land
Catalogue Number
Release Date
August 26, 2022
  • Vinyl 1×LP (Deluxe)

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    • Mastered from the original analog tape transfers by Kevin Gray
    • 12” insert featuring rare photographs and words from Bill Crow
    • Includes rare bonus track ’Night Lights - 1965 Version’
    • Officially licensed from Phillips / UMG with thanks to the Mulligan Estate

This session recorded at New York’s Nola Penthouse Studios in 1963 is a little-known masterwork from the incredible Gerry Mulligan catalogue.

Baritone Saxophonist Gerry Mulligan was a true icon of jazz, being one of the prominent figures in the West Coast scene through the ‘50s all the way until his death in 1996. Voted number one musician in his instrument by Downbeat Magazine for 42 years in a row, Mulligan was one of the key players of his time and a figurehead who help shape the sound of jazz to come. From periods in the Birth Of The Cool era Miles Davis line up as well as forming a piano-less quartet with Chet Baker, Gerry was always on the frontline of what was hip and happening in America!s one true art form.

With its striking Oliver Hardimon designed cover, Night Lights is the very definition of refined cool jazz. Shimmering with a late-night beauty that perfectly evokes a sophisticated New York City in the early 1960s, Gerry and his Sextet fuse slow burning jazz noir alongside emerging, contemporary Brazilian rhythms with the interplay between Mulligan and guitarist Jim Hall a particular standout throughout. Title track ‘Night Lights’ is a wonderfully smooth, low light tune, while the Latin tinged ‘Morning Of The Carnival’ really finds the band in their finest and most swinging form. A cover of jazz standard ‘In The Wee Small Hours Of The Morning’ followed by Chopin’s ‘Prelude In E Minor’ continues the delightful groove before we finish out with Mulligan originals ‘Festival Minor’ and ‘Tell Me When’. For this version of the release, we have included the 1965 version of ‘Night Lights’, which gives an interesting comparison, performed by his later day Quintet featuring the Wrecking Crew’s legendary Hal Blaine on drums amongst others.

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